Sunday, January 23, 2011

You



Juxtaposed masquerade designs for the Ensemble. Interesting. :)


... FOR MY FRENCH EXAM I WILL WRITE THIS IN FRENCH. I started Maddie's in english but I will switch now. There will be so much conditionelle, it's not even funny, as all of this is what-if.

Maddie would be in something sweet and princessy. Lots of pink and green lace, pale pastel colours and chiffon. She'd have kitten heels of some dark colour to contrast, and her hair would be pulled up with flowers.

Sunday, January 2, 2011

New Year



So on New Years Eve, I drank a lot, dance a lot, and ultimately felt like it was way too soon for 2010. Why is it that every single moment time passes, we regret that it's passed, or someone else wishes that the future would come sooner?

Inevitably time is fixed and in place. Time is what kills us in the end, not the other way around.

2011 came around with a whisper, not a bang. It came with a quiet apprehension, with sullen blinking and questioning as the previous year passed away.

Years are trivial; time is absolute. So we follow the sun, but not every sun is the same.

---

Tuesday, November 9, 2010

Costume!

EN MASS, ALL THE PHOTOS OMG.
First the shots of the dress costume :D I got some actual full-body pictures of the dress with me in it, but because it's also showing a large portion of my neighbourhood in each shot, for privacy reasons I decided to remove them ^^;
I was a Fallen Angel! Built most of the costume and did all the makeup plus sfx. I feel a trend coming on :O
The editing layout of blogger confuses me (failure ugh) but I'll have all the photos here :D
Front of dress
Back of dress :D

Sunday, September 12, 2010

The forsaken jump








<--THIS

























<---TURNED INTO THIS.








I never understand my own trains of thought. As I draw, an expression, a power comes into my art... and then when I colour, my muse takes hold, takes the picture further.


Wait doesn't that mean I understand it? XD

Sunday, July 25, 2010

Prayer












My absence makes them weary.

---

"God," he breathed.
His hands--they shook, jerking so violently that he could not fold them right. He clamped them to his breast, weeping and shaking and holding the fragments of his fragile, broken heart together, thump thump thumping shards of glass through his veins. With bruising force, he clutched the red jewel closer, yanking it into his chest as if the broken heart inside could somehow absorb it, and be soothed.
"God," he said, again, "God, please, please..."
The man sat there for hours in the dusty, sky-lit church, watching the stained glass of the angel under the solid cross change and glow and fade. He watched as little bits of dust were shot through with light, as if the angels that people spoke of were there, listening to his grief. He sat and wept and prayed and trembled until time blurred into lethargic counts of his staccato breath, and all he could do was continue on.
"Give her back to me," he begged the cross. "Give... give her back to me. God. I-I... I can't..."
I can't live without her.
God.
Please.
Please.
And his prayers fell silent, to deaf ears. Who would he kid? There was no God for him. He could not dream, nor could he fancy. He was not one who could reach the omnipotent being; his voice was not one that could travel that far.
His prayer--his strangled prayer, the one he knew that could never fly, even if his voice could carry, repeated over and over without relent.
So he climbed, suddenly, with bitter conviction; he sat on the altar of the cross, head buried in his arms. His clothing--her clothing, really, for he wore her cape to torture himself with her lingering smell--draped over the sides, touching the ground, and he watched his shadow with nothing but hollowness. He clutched the red jewel in his hand, strangling the blood out of the useless limb, the only reminder left that she had been there, whole, breathing, loving, real, living, real--
For him, time slowed; the seconds drooped into minutes, into hours. Perhaps he sat there for days, uttering a useless prayer in the back of his mind, back against the cross that wouldn't bend for him. He prayed and prayed, remembering some sort of logic long ago: someone said praying could help anyone heal.
Could he heal?
And when he next lifted his head, there was no longer any tears. Nothing but a swooping, echoing empty, nothing, nothing.
There was nothing but empty, nothing but empty.
(And his eyes--they grew cold. They grew bright and lifeless and lucid, his consciousness slipping, searching, wanting. Those eyes, normally warm pebbles of thought that echoed what he mused, they grew as cold as the earth that had its arms around her--)
His voice couldn't travel that far.
Could it?
"God," he whispered.

---

Saturday, June 12, 2010

Daphne

Nearly four weeks went into this mask, every day for at least two hours. Wows.

For art class, we had to make papier-mâché masks. Our theme, like most of this year, was mythology. We could choose anybody from mythology and make it. So sticking with my love of trees and such, I decided to do Daphne. Scroll down for the myth, it's Greek.

Started at the end of April, 2010, I finished sometime around May 24th 2010

<-Here's the mask lying down on my back porch :D I dislike how the photo turned out; it doesn't show the depth of the mask, or the many, many translucent layers of paint that I slaved over. -shakefist- Contrary to popular belief, this mask is fairly light; it's about a pound or so, which is--really--the average weight of a head. Look, ma--no eyes. Adds mystery... kind of scary, tho. . <-Neck detail. Ohmygod. Individual rolls of tissue paper waded and shaped to look like bark. There's fine metallic gold paint dusted over the bark, copper paint in the hair, and silver paint lining the leaves. Most of the branches on this mask are adjustable, along with a nice rustling sound if you shake the head.

The branches are pipecleaner wrapped in maché and painted. Tips of pipecleaner are painted green to look like buds... this shot shows the underside of one bud I didn't paint too well. Woopsie.





Bark bursts forward. This was done with rectangular pieces of cardstock angrily--furiously!--taped and wrestled onto the face, then wrapped in maché. You can see the edges painted in gold and the leaves in silver. The eyebrow is also kind of visible here.

The wrinkles also add nice effects,thank goodness. This mask was painted in 100% acrylics, which is nice as the colour is very vibrant on the paper.



Veins on the cheek-barks were also quite painful. Tissue paper is hard stuff to work with. (At this point I realized I didn't take pictures of the nose, which was also a feat in itself).

The ears are pointed and also tissue paper'ed for texture, pointed in shape with one branch extending out from the back. The mask sits flat on a table sans problems.



Seventeen branches in total. Seventeen. God I'm never doing a tree-maché (LOL IRONY...) mask again. The pipecleaner was taped onto the top of the head of the mask, and then wrapped. The wrapping wouldn't stay so I had a lot of trouble with this.

The inside of the mask is painted dark brown.

Sunday, May 30, 2010

L'Effet Zaza

Here we go. En français.


Pour la classe de français nous avions besoin de créer une présentation de 45 minutes… ugh, quel horreur. Je ne sais pas qu’est-ce que je dois faire pour ma partie, et j’ai gaspillé tout la journée pour les designs des personnages… c’est pas mal—je veux dire, le jour; je n'ai pas eu le temps pour dessiner dernièrement et même un peu d'il se sent bon—mais maintenant je sens que lundi serait une catastrophe…
Les personnages, ici :


Zaza (Elizabeth Babin, qui avait le don de préduire l’avenir. L’homonyme de la collection, et très nerveuse pour le premier jour d’école secondaire. Elle a 13 ans, avec une disposition ressemblée de soleil.)





François Babin (Le père de la fille mentionné au-dessus. Un alcoolique qui manque sa femme qui lui est parti, il est nostalgique mais un bon père.)



Sunday, May 16, 2010

My days pass by in shades of brilliant gray

May 3-11 2010
Kissing Practice--drawn over time in class.
The last picture is a spoiler. Featured here: Krai, Eva, Ceru, Colleen, Lalé, A possible humanoid Yang and quite possibly Adriano's teeth.
Yang--The seventh phoenix son of the Royal Nie (fire faye) clan. (May 4th 2010)
He is the smallest, a runt of the family, the only one with brilliant red plumage as all of his brothers have greens and blues and violets as their colours. His primary feathers are white-hot, and he has five tail plumes, and he has a lovely disposition overall.
Like most of my story people he has a humanoid form, too. He's a chinese man with hot fire-blue-violet eyes, a sunny disposition, and slightly melancholy look on life.
He is also the Aether fairy king.
Queen Rhiannon is quite in love with him--they are husband and wife. I need to keep track of who's married to who in Devil's.
Yang was drawn in a period of two hours during Junior Repertoire helping I did. I cried so much that day that I just wanted to draw something pretty.

---


May 3 2010, A doodle in Math class.
A little fairy child wanders through the jungle of dandilions, ladybugs, catgrass, and daisies, looking for her mother who disappeared with the rain. Perspective practice--it didn't have a story until right now.

Tuesday, May 11, 2010

Photo Essay 2010



There are some new and old photos I'm using in this essay.

"Perserverance" / "Pensive"
"Fire-Water"* / "Scars"
"Contemplation"* / "Other side of the Fence"

Perserverance, Pensive, and Fence was from the Niagara trip on April 27th :)
Scars is my photo specifically taken for this essay.
*Fire-Water and Contemplation were collaberations with Bryan Chong.


Lesson learned: “It is much more important to care for things of emotional value than for material and social possessions.”

When my whole essay is finished I'll see if I'll upload it. If it's too bad, probably not :D Mais c'est la vie.